Search - Carl Weingarten :: Escapesilence

Escapesilence
Carl Weingarten
Escapesilence
Genres: Jazz, Special Interest, New Age, Pop
 
  •  Track Listings (13) - Disc #1


     
?

Larger Image

CD Details

All Artists: Carl Weingarten
Title: Escapesilence
Members Wishing: 2
Total Copies: 0
Label: Multiphase Records
Original Release Date: 6/10/2002
Release Date: 6/10/2002
Genres: Jazz, Special Interest, New Age, Pop
Style: Experimental Music
Number of Discs: 1
SwapaCD Credits: 1
UPC: 768273921421
 

CD Reviews

Escapesilence | Music Web Express Review
Rotoscope | San Francisco, CA | 09/25/2002
(5 out of 5 stars)

"MULTIPHASE RECORDS - A name highly regarded among guitar fans, Carl Weingarten's recent solo output includes his highly acclaimed 2000 album Blue Faith, and he adds to his legacy with his 2002 CD Escapesilence, released on Multiphase Records. In the spirit of Steve Tibbetts and Michael Hedges, Weingarten is a master at coaxing a variety of hues and textures from his acoustic and electric guitars. Some may call it New Age, world fusion, and ambient space music-yet the sound of Escapesilence literally escapes definition. A full line-up of players take part including Michael Manring (bass), acoustic guitarist Alex DeGrassi, pedal steel ace Robert Powell and drummer/engineer Brian Knave. A soundtrack for you own private movie, the entrancing, nocturnal Escapesilence beckons you to turn off the lights, slip on the headphones and drift off to a strange and wonderful place."
Escapesilence
Rotoscope | San Francisco, CA | 01/13/2003
(5 out of 5 stars)

"While dobro and slide guitar are usually associated with country and blues, Carl Weingarten breaks the mold to make them into impressionistic, melodic instruments. That he's a consummate player with a firm vision for his instruments is beyond question, and the subtle support he receives here from drummer Brian Knave and bassist Michael Manring serves him well. It's interesting that many of the tracks are short, making their point and leaving without belaboring ideas. And he doesn't even mind taking a back seat on his own album, as on After You've Gone, where the lead belongs to Barbara Else's luminous flute. If anything, Weingarten recalls the guitar releases that created the early Windham Hill style, although he relies more on impressions than those rippling melodies that the label trademarked. He's perhaps at his best on the aching Pedro's Lament, with its lovely ringing overtones and cello work, and the title cut, with its mellifluous sax. But whatever way you look at it, Weingarten is an excellent, daring talent. --Chris Nickson"