Search - Giovanni Pierluigi da Palestrina, Bruno Turner, Pro Cantione Antiqua :: Canticum / Canticorum / Salomonis

Canticum / Canticorum / Salomonis
Giovanni Pierluigi da Palestrina, Bruno Turner, Pro Cantione Antiqua
Canticum / Canticorum / Salomonis
Genre: Classical
 
  •  Track Listings (29) - Disc #1


     
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Good, but Second Choice
Giordano Bruno | Wherever I am, I am. | 11/06/2008
(5 out of 5 stars)

"Nota bene: This performance IS available on Helios; same cover, same music, same notes. The following is my old review of that much more reasonably priced CD:



Palestrina dedicated his Fourth Book of Motets, from which the Canticum Canticorum Salomonis is taken, to his patron, the reforming Pope Gregory XIII, who commissioned him to revise and reform the Roman chant books.

However, there's good reason to suppose these erotically spiritual motets, which are far too polyphonic and too artistic for use in the Pope's service, were in fact written to be sung in the devotional gatherings initiated by (Saint) Phlip Neri in Rome in the 1560s and 1570s. The singers would have been Palestrina's male colleagues from the Vatican choirs. Palestrina had an entrepreneurial side and issued these and other motets in printed form in 1584, for the use of confraternities of musical taste hither and yon. The texts in Latin, from the Song of Solomon, would have been comprehensible to such gentlemen singers, and would have required an allegorical interpretation.



Pro Cantione Antigua has staked a certain ownership to the works of Palestrina as their foremost repertoire. This is a richly-textured performance, and I feel guilty awarding it less than five stars. The performance of the same motets by the Hilliard Ensemble, however, is more to my taste. Pro Cantione has chosen to sing these intricate miniatures as a choir, two voices on a part; the result gets muddy at times and the flawless tuning of the Hilliards is not equaled by Pro Cantione. The tempi are somewhat too uniform and the dynamics tend to be limited to abrupt movements from mezzoforte to forte. On the plus side, the ten male singers match very nicely in vocal timbre, with individually luscious voices. Still, if you don't intend to own two CDs of these sumptuous devotional madrigals, the Hilliard Ensemble is the better choice."