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Lady Day: The Complete Billie Holiday on Columbia (1933-1944)
Billie Holiday
Lady Day: The Complete Billie Holiday on Columbia (1933-1944)
Genres: Blues, Jazz, Pop, Broadway & Vocalists
 
  •  Track Listings (25) - Disc #1
  •  Track Listings (23) - Disc #2
  •  Track Listings (22) - Disc #3
  •  Track Listings (24) - Disc #4
  •  Track Listings (21) - Disc #5
  •  Track Listings (24) - Disc #6
  •  Track Listings (24) - Disc #7
  •  Track Listings (22) - Disc #8
  •  Track Listings (22) - Disc #9
  •  Track Listings (23) - Disc #10

This box set earns the "deluxe" designation not only because of its handsome packaging, insightful essays by Holiday scholars, and testimonials from the likes of Tony Bennett, Sonny Rollins, and Etta James, but also becaus...  more »

     
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CD Details

All Artists: Billie Holiday
Title: Lady Day: The Complete Billie Holiday on Columbia (1933-1944)
Members Wishing: 5
Total Copies: 0
Label: Sony
Original Release Date: 1/1/1933
Re-Release Date: 10/2/2001
Album Type: Box set, Original recording remastered
Genres: Blues, Jazz, Pop, Broadway & Vocalists
Styles: Vocal Blues, Traditional Blues, Swing Jazz, Traditional Jazz & Ragtime, Vocal Jazz, Oldies, Vocal Pop, Classic Vocalists, Cabaret, Traditional Vocal Pop
Number of Discs: 10
SwapaCD Credits: 10
UPCs: 696998547025, 0696998547025

Synopsis

Amazon.com
This box set earns the "deluxe" designation not only because of its handsome packaging, insightful essays by Holiday scholars, and testimonials from the likes of Tony Bennett, Sonny Rollins, and Etta James, but also because of the vastly improved remastered sound that makes Lady Day the definitive issue of Billie Holiday's pivotal 1930s and '40s Columbia/Vocalion/Brunswick/OKeh oeuvre. The sides here include epochal collaborations with Count Basie, Benny Goodman, Lester Young, Teddy Wilson, and others. Six-plus discs chronologically present 151 masters, with the rest of the 10 CDs' space given to alternate takes and radio air checks. It was during the early years of this period, of course, that Holiday quickly developed into one of the 20th century's vocal monuments. Her incisive way with lyric and melody, often deploying playfulness, wit, and pain in a single song, became a model for both many a female singer, as well as Frank Sinatra and Marvin Gaye. These are records to be endlessly replayed for many kinds of appreciation. Played end to end, they introduce ideals of groove and emotional expression that remain fresh and even startling many years on. Lady Day is not only a perfect example of how to reissue key material, but is an album that will stand as a beacon for veteran Holiday fans and for the new ones it will no doubt attract. --Rickey Wright

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CD Reviews

Great music, but...
M. Zuckerman | Bath, UK | 11/05/2001
(2 out of 5 stars)

"These John Hammond-organized sessions are, together with the Louis Armstrong Hot Five And Seven recordings, my very favorite, and I very much wanted to love this set. The sound quality of the previous Columbia releases (Quintessential Billie Holiday, vols. 1-9) was dismal (all the hiss and crackle hamfistedly removed so that it sounded like the stereo had been stuffed under a pillow) and I was looking forward to a breakthaking upgrade. Well, the sound is a lot better, and they have not been afraid of leaving in some of the hiss, but the fact is, there are better sounding transfers out there, and at this price, there shouldn't be. I compared one track, "What a Little Moonlight Can Do," with a transfer made by John R.T. Davies, who is the master of this kind of work. On all counts -- warmth of tone, clarity, full bodied bass, realistic ambiance, and even lack of hiss -- the John R.T. transfer was better. (His transfers of the Armstrong Hot 5s and 7s for JSP was much better than Columbia's, too.) The packaging looks great, the music is great, and it costs a great deal of money. SOund quality is just good though, and that's a great shame."
The Lady sings...
Jeffrey Harris | South San Francisco, CA United States | 12/29/2001
(5 out of 5 stars)

"One of the most lavish(and exhaustive, in good way)box sets to be released is "Lady Day-The Complete Billie Holiday On Columbia (1933-1944)". Consisting of 230 tracks spread over 10 CD's, this set contains Lady Day's collaborations with Teddy Wilson, Count Basie, and Benny Goodman's Orchestras. Though some of the material is lackluster(which is to be expected on a compilation of this size)all of the standards that she cut for Columbia, Brunswick, Okeh, and Vocalion are included("All Of Me", "God Bless The Child", "Them There Eyes", "The Man I Love, "I Cried For You", etc...). The packaging is beautiful, with the box resembling a 78 record storage booklet. Housed inside the cover is a 120 page booklet with rare photos, reproductions of original 78 RPM labels, and essays from Gary Giddins, Farah Jasmine Griffin, and Michael Brooks. Though the essays don't really shed any new light on Billie Holiday, they're well written and are an enjoyable read. The CD's themselves are packaged in heavy paper slip cases similar to what 78 records came packaged in. In theory it was a creative design idea but not a real practical one. You have to be very careful removing and putting the CD's back to avoid scratching them(like the Armstrong Hot Fives & Sevens box), which for me is my only beef with this box set. Lining the pockets with felt or some other soft material could have avoided this and it's a move I hope Legacy considers in the future. Sonically this is by far the best I've ever heard this material sound. The Quintessential Billie Holiday CD's suffered from heavy handed use of noise reduction, sounding muffled and dull. The songs on the box have much more presence and dynamic range. Like the Louis Armstrong box issued last year, this release has Grammy winner written all over it. For those who want, need, and must have every note Lady Day recorded during this eleven year period this box is a must have and comes highly recommended. The 2 CD set culled from this box is fine for more casual fans."
Just the most essential music of the 20th century
JEAN-MARIE JUIF | BESANCON France | 12/21/2003
(5 out of 5 stars)

"I would need much much more than a thousand words to tell you about my feelings related to this sublime music.How many times I cried listening to some tunes,or was feeling incredibly high and happy listening to other ones.
If you want me to play to the "desert island" game,I would only take this set with me;you don't know how I treasure Monk,Duke,Armstrong,Trane,Bud,Bird,Bill Evans,Bechet,Fats Waller,Hines or Tatum,but I''d surely forget them all to keep these Columbia years of Lady Day with me.Here is the most fantastic music I've ever heard,here are the highest moments of the history of jazz.NOBODY never recorded such a bunch of masterpieces in some eleven years;nobody,even Duke.Here is a colossal set of the most amazing music you'll ever hear.
This is the third time I purchase these sessions:first,I bought them on 33rpm,some 25 years ago;then on separate CDs;then,a friend of mine let me listen to this set,and what a shock!!! The sound is so great that I thought I was discovering tunes I knew for years and years.It seems that Billie and the guys are playing in your room,just in front of you!!!
Now,for those who have no idea of what's in this very beautiful set,let's have a glance at the musicians you'll listen to:the ghotta of jazz is here!!! LESTER YOUNG,Teddy Wilson,Johnny Hodges,Duke Ellington,Count Basie,Benny Goodman,Chu Berry,Jo Jones,Buck Clayton,Roy Eldridge,Ben Webster,Benny Carter,Charlie Shavers,Red Allen,Cootie Williams,Hot Lips Page,Bunny Berigan,Jack Teagarden,Walter Page,Milt Hinton,John Kirby,Cozy Cole,Sid Catlett,Kenny Clarke,Freddie Greene,Dickie Wells,Hary Carney,Harry James,and many more.
About the tunes: masterpieces,masterpieces and masterpieces!!!
It would take some ten pages to describe it.Of course,the most magnificent ones are those in which Lester Young plays.Lester and Billie,Pres and Lady Day;they had the most magical musical complicity of the history of jazz,they really LOVED each other,even if their lives had separate ways;Lester,the Greatest of all jazz saxophone players,was born 1909;Billie,the Baltimore child,was born in 1915;they both died 1959,Lester in March,and Billie in July.The tunes they recorded during these years,the tunes you'll listen to in this set are very simple to describe: it's LOVE.and maybe the most beautiful that ever was.Maybe,these are the most sublime masterpieces in the history of Music."when you're smiling","he's funny that way","travelin' all alone","mean to me","foolin' myself","me,myself and I","born to love","gettin' some fun out of life","I'll never be the same"....I could listen to these tunes a hundred times everyday.This music is magic;it'll make you feel great.And you'll cry sometimes too,because of too much beauty.Here is the very best of Jazz,a music that gave us tons and tons of beauty;Billie's voice is at her most expressive,so young,so fresh,so joyful,and so sexy (and even sometimes,so sexual);Lester 's playing ,even if he only blows short choruses,is the most beautiful one that ever was ("all of me","foolin' myself","born to love","mean to me",...).
Here is sublime music;the most magnificent you'll listen to.I couldn't live without these records.They are my copanions since I was 15 years old;I spent hours and hours listening to them,wether I felt high or bad;and even after 23 years of frequent listening,they seem to me as fresh and new as when I discovered them.
Thanks a million,Lady Day (a nickname Lester gave to Billie),thanks a million for so much beauty.It never happened in the history of Art."