Search - Allan Holdsworth :: Then! Live in Tokyo

Live Holdsworth.... Simply amazing

Dan A. Bobrowski | California | 01/12/2005

(4 out of 5 stars)

"A second live release from Allan Holdsworth in one year. This one, however was recorded in 1990, 12 years (to the day) before All Night Wrong. I'd hate to compare the two, because the bands were quite different (Then! is a quartet and ANW features a trio) and each features a completely different set list.



Steve Hunt (keyboards; Stanley Clarke, Mahavishnu Project) uses many of Allan's synth patches and plays many of the Synthaxe parts that Allan originally played on the studio versions of some of these tunes. Steve does a commendable job filling Allan shoes keeping the chording consistent with the originals. Thus, he allows the master to experiment with his Bill Delap Baritone guitars, a breath-taking event! Jimmy Johnson (bass; Flim and the BB's, James Taylor and a host of others) holds down the bottom in his own unique fashion. He gets a few chances to jump into the spotlight and shine. Gary Husband' drums sound huge. He plays with such intensity and control. Any student drummer would be well advised to check this out.



The tunes, nine in all, cover a large spectrum of Allan's career. Proto Cosmos, a Tony Williams Lifetime favorite, is given a rousing performance. Atavachron is simply elevated to another level, which I feel blows away the original. White Line, sans Paul Williams vocals, is wonderfully reconstructed with Allan playing the vocal lines with much more emotion than any vocalist ever could, beautiful. Pud Wud features a brilliant bass solo from Jimmy Johnson, playful and intricate. My favorite moment on the track. Steve Hunt's synth work really comes alive on this tune, as well. House of Mirrors, slowly builds with a gorgeous melody and soft suspended notes cascading and drifting. This is one of Allan's most emotive solos I've heard. Non-Brewed Condiment rocks and pushes the band with muscular drumming and wild soloing.



The improvs, Zone's I, II and III, are phenominal examples of exploration. Each piece is interspersed throughout the CD, beginning, middle and end. They take the listener to uncharted territory, on the spot creations of what only highly skilled musicians can achieve. These tracks are not for the weak of heart nor short attention spans. The push and pull of each instrument creates tension, not to fight for the spotlight, but to add splashes of color onto a spectacular work of art. Curious and inspirational.



This is not a starting place for Allan's work. This one requires some previous exposure to Allan's music. It is a facsinating look at what can be done, on stage, by one of music's most enigmatic guitarists, as well as a snapshot of musical history.



PS: Be sure to have a pint of your favorite ale whilst listening, to salute the master."

Excellent musicians playing excellent music excellently

Squire Jaco | Buffalo, NY USA | 09/13/2005

(5 out of 5 stars)

"Well, this is a special cd. Released in 2004, the recording took place in May of 1990 in Japan. There's an unbelievably strong chemistry among the band members of this touring quartet, none of whom played together as a group on any of the studio albums from which the music for this concert was culled.



Gary Husband's drumming is phenomenal - interesting, jazzy, driving, and right up front in the recording mix. Jimmy Johnson's bass is like an additional guitar soloist on many of the songs, just all over the place. Keyboardist Steve Hunt helps to keep some rhythmic sanity in those moments when Husband is soloing and improvising, and he also provides the band a nice full sound with additional soloing - he even uses some synthaxe (or synthaxe sounds on the keyboard) to augment the fullness of the band and stay true to the original feel of some of the compositions.



Then there's Allan Holdsworth. He's at the top of his game here on this recording. If you're reading this review on a relatively obscure album of his, then you don't need me to tell you how great his sound and technique is. He just kills on this cd.



Song selections include Proto-Cosmos, White Line, Atavachron, Pud Wud, House of Mirrors, Non-Brewed Condiment and three improvised selections spread throughout the album called Zones (which all feature a baritone electric guitar). The playing and execution is tight and true, but different enough from the original studio versions to make this a very worthwhile purchase. (The "Zones" are O.K., not great. But they ARE new and unique! They're growing on me.)



Finally, rest assured that the recording and production quality is great. If you've seen other reviews by me, you know that's important to me. The original source tapes were "extremely high quality, digital 24-track" tapes (according to the liner notes), and Holdsworth himself was involved in the mixing and mastering of all tracks.



AH is one of my very favorite guitarists, from his playing with Tony Williams, Soft Machine, Gong, Ponty, Bruford and U.K., right on through to his own great solo stuff. Here, he inspires his whole band to shine on one great piece after another.



Superlatives fail to define his greatness. I highly recommend this cd.



I value interesting music that is played and recorded well. This cd's rating was based on:

Music quality = 9/10; Performance = 9.5/10; Production = 9.5/10; CD length = 10/10.

Overall score weighted on my proprietary scale = 9.3 ("5 stars")"