Search - Alberto Fortis :: L'uovo

L'uovo
Alberto Fortis
L'uovo
Genres: Dance & Electronic, International Music
 
  •  Track Listings (9) - Disc #1

Of all the laudatory epithets applicable to Barbara Bonney, the term "radiant" might not be the one that springs to mind--at least, not insofar as it suggests the warm luxuriance of sunshine. Bonney's light, bright lyric s...  more »

     
?

Larger Image

CD Details

All Artists: Alberto Fortis
Title: L'uovo
Members Wishing: 0
Total Copies: 0
Label: Sony Bmg/Epic
Release Date: 9/3/1991
Album Type: Import
Genres: Dance & Electronic, International Music
Style: World Dance
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: The Radiant Voice of Barbara Bonney
UPC: 5099746881825

Synopsis

Amazon.com
Of all the laudatory epithets applicable to Barbara Bonney, the term "radiant" might not be the one that springs to mind--at least, not insofar as it suggests the warm luxuriance of sunshine. Bonney's light, bright lyric soprano is something else: a voice of delicate refinement and transparent, pure-toned beauty. But it's capable of silkily seductive textures, too. And there are wonderful examples on this compilation disc that, if featuring a less-established artist, might qualify as a demo tape. Most of the tracks are previously issued, but together, they define her capabilities and home-base repertory, from Bach, Purcell, and Mozart through to Scandinavian song and Richard Strauss. With "Morgen," "Solveigs Sang," "The Presentation of the Rose" from Der Rosenkavalier, and "Ach, ich Fuhls" from The Magic Flute, this is a catalog of silver, if not golden, moments. Jewel-like singing and pure joy to hear. --Michael White
 

CD Reviews

Glorious singing from one of America's finest singers
John Kramar | Greenville, NC USA | 08/08/2001
(5 out of 5 stars)

"Miss Bonney's singing on this compilation CD does not ever disappoint the listener. From start to finish, each selection offers her unique brand of intelligence, poetic sensitivity, rhythmic security, and tonal beauty. This soprano's Nordic tone quality is perfectly suited to the wide range of classical styles represented on this disc. One might be surprised at how italianate her Adina is -- the character is right-on, without ever turning harsh, or unnecessarily shrewish. Bonney's Sophie is as close to perfection as is humanly possible in the featured scene from Der Rosenkavalier. Not since Helen Donath and Lucia Popp has there been such a radiant Sophie. The Mozart selections are a constant delight. Having heard this fine artist many times in live performances, I can honestly say that this collection is a beautiful and honest reflection of her very special way of making music."
Absolutely luscious, as always.
shannahsings | NYC, NY USA | 11/14/2001
(5 out of 5 stars)

"I am a rabid Bonney fan and happen to feel this recording is the perfect culmination of her impeccable artistry. Her sound is luscious, fluid, charming and always perfect for what she is singing. She is definately one of the smartest singers today. I could go into each piece individually, but there is a max of 1000 words. In a nutshell, the perfect CD for any classical music lovers collection."
Good compilation--but don't buy it new
Danny Boy | Nashville, TN | 01/02/2005
(3 out of 5 stars)

"I am a decided Bonney fan. So it is with hesitation I give this disc only three stars (three and a half really, but I don't have that option). But, it does reflect my feelings about this cd. There are certain selections that are especially disappointing because seeing them listed on the cover was my motivation for purchasing the cd to begin with-- the rose presentation from "Rosenkavalier," for example. As far as I'm concerned, Miss Bonney is the best Sophie around today. But this recording doesn't do her justice. Her signature floating pianissimi on the high a's and b's seemed under par here. Too much gear-changing and some vibrato issues (slight, but perceptible). And I wasn't particularly thrilled with the mezzo on this recording. Perhaps I'm spoiled by seeing the Lott-Bonney-von Otter DVD (by the way, THAT'S a definite keeper, if you have the 40 dollars it costs. . . worth it!). The "Exsultate, Jubilate" was less than stellar. It seemed to me that the tempo was just a hair faster than she could comfortably sing the florid lines. The high "c" at the end sounded far too difficult for a soprano like Bonney who does have such easy beautiful high notes. Additionally, I would have liked to hear her sing the entire piece as opposed to just the "Alleluia". I wish the Weber "Pie Jesu" weren't included. I always skip it. There's too much glorious music that suits Bonney so well for her to waste an entire track on this silliness.



Having said all this, the album is not at all a complete loss. There are some truly fine moments on here too. The Mozart arias are wonderful. Her voice really has the appropriate sex appeal for Susanna's aria. That's a favorite of mine anyway. Love the Strauss! Like the Dowland to open the cd. And check out track 16, "Die Nachtigall." The first time I listened to the cd, I had to do a "double take" halfway through this song. I grabbed the cd case and liner notes to see if someone else were singing this piece (since there are several guests on this collection) because it simply didn't sound like the same person. There's a depth and steely quality to her voice that I had never heard from her before. I was amazed. I suspect that she couldn't sustain that sound comfortably for an extended amount of time, but I was still very impressed to hear that she has that capability.



I tend to be overly wordy, so I'll wrap up by saying that this is indeed a cd that is worth buying if you can find it for reasonably less than the retail price. It's worth having for some of the better moments on the recording, but might be somewhat disappointing if you have invested the full retail value (as I did)."