Alan Lomax - Deep River of Song Black Texicans Balladeers And Songsters Of The Texas Frontier (29 tracks) +Album Reviews

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Alan Lomax
Deep River of Song: Black Texicans - Balladeers And Songsters Of The Texas Frontier
Genres: Blues, Folk, International Music, Pop

Track Listings (29) - Disc #1
1. St. James Hospital
2. The Old Chisholm Trial
3. Ranging Buffalo (The Buffalo Skinners)
4. Western Cowboy
5. Western Cowboy
6. St. James Hospital
7. Jack of Diamonds
8. He Rambled
9. My Pretty Little Yellow Gal (My Yellow Gal)
10. Pick a Bale of Cotton
11. That's All Right, Baby
12. Old Aunt Dinah
13. Square Dance Calls (Little Liza Jane)
14. East Texas Rag - Alan Lomax, Casey, Smith
15. When I Was a Little Boy
16. Rabbit in the Garden
17. Old Aunt Dinah
18. Let's Go A-Hunting (Come on Boys and Let's Go to Huntin')
19. Walk-A-Dolly Walk
20. Fox Chase
21. Old Joe Clark
22. Long Summer Day
23. Log Rolling
24. Buzzard Song (Old King Buzzard)
25. Boll Weevil
26. Been on the Cholly So Long
27. The Dallas Railway
28. Traveling Man
29. The Train

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CD Details

All Artists: Alan Lomax
Title: Deep River of Song: Black Texicans - Balladeers And Songsters Of The Texas Frontier
Members Wishing: 6
Total Copies: 0
Label: Rounder Select
Original Release Date: 1/1/1999
Re-Release Date: 3/9/1999
Genres: Blues, Folk, International Music, Pop
Styles: Delta Blues, Traditional Blues, Traditional Folk
Number of Discs: 1
SwapaCD Credits: 1
UPC: 011661182127

Synopsis

Amazon.com

One-fourth to one-third of the cowboys in the Old West were African American, a fact virtually erased from history. But one listen to this entry from the Deep River of Song series of the Alan Lomax Collection sets the record straight. Men with prosaic names like Phineas "Flatfoot" Rockmore, "Butter Boy," Moses "Clear Rock" Platt, and James "Iron Head" Baker recast British ballads to fit their own experiences ("St. James Hospital"), turn in idiosyncratic readings of cowboy standards ("The Old Chisholm Trail"), and prove that square dances knew no race ("Little Liza Jane"). Their harsh, straining voices can convey ruggedness and clarity alike; they work with sprung rhythms, regular rhythms, and no rhythms at all, but their songs are too rich in melody and catch phrases to be easily forgotten. Recorded between 1933 and 1940, these raw sides will appeal primarily to roots fanatics but fill an essential hole in American music--and history. --John Morthland

CD Reviews

"I ain't gonna tell you no lies"

Pharoah S. Wail | Inner Space | 08/08/2003

(4 out of 5 stars)

"I have noticed that this website doesn't bring up every disc in this series with just a "Deep River Of Song" search. In the interest of helping people find these discs here, I'll name every other disc in the series.

South Carolina

Bahamas 1935

Bahamas 1935 Volume 2

Mississippi: The Blues Lineage

Mississippi: Saints and Sinners

Georgia

Big Brazos

Black Appalachia

Virginia and the Piedmont

Alabama

I bought the entire Deep River Of Song series all at once. So many surprises awaited me! Some discs I thought about not buying because maybe I wouldn't be into them, and some I assumed I'd love. This was one of the discs I was iffy on. Until I heard it.

This and Big Brazos are two of the best discs in the series, in my opinion. They are also two I originally thought maybe I wouldn't like. Moses "Clear Rock" Platt is great. I particularly love his Old Chisholm Trail, which happens to be the source for Mike Seeger's Whoopin' Up Cattle on his excellent solo cd, Southern Banjo Sounds. James "Ironhead" Baker's St. James Hospital, which was clearly the source for Doc Watson and Tony Rice's excellent versions (on the Doc Watson and Native American albums, respectively), haunts me. Ironhead is a true highlight of this disc.

This disc also contains my one exposure to "eephing". An odd vocal thing that defies description. In terms of musicianship... guitar playing... Smith Casey is the hidden gem of this collection. His East Texas Rag is sublime acoustic slide guitar. He certainly could have earned more tracks here. I also particularly enjoy Phineas "Flatfoot" Rockmore's Boll Weevil done to a familiar Frankie & Johnny melody.

Of course if you are into American history (the true history, not the white-washed garbage that still gets taught in American schools) then these recordings become all that more meaningful. Imagine a song that dates back to slavery being sung by a group of prisoners in the 1930s, one of the harshest eras within the Jim Crow Era.

I love this disc, but the official review on this site is correct. It may only appeal to roots fanatics. I fear most of it is just too rough for the modern listener who is used to everything being more polished. I just want people to take that into account. I'd hate to recommend something and find out someone was disappointed when they heard it for themselves. If you don't like field-recordings of true real-people folk musics, then this is probably not for you."

Fantastic

S. Franz | 09/05/2000

(5 out of 5 stars)

"This collection is fantastic and shows a great respect for men who were forgotten in the history books."

Addendum

S. Franz | 01/31/2008

(5 out of 5 stars)

"In addition to the above comments, there is also a Louisiana volume (for those seeking to complete their collection)"