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Kicks
1990s
Kicks
Genres: Alternative Rock, International Music, Pop, Rock
 
  •  Track Listings (12) - Disc #1

The follow-up to the acclaimed "Cookies" features more sassy, infectiously catchy songs about Glasgow and girls in the main. Inspired by "Scary Monsters" / "Golden Years" era Bowie and his work with Eno and Visconti, to Ja...  more »

     
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CD Details

All Artists: 1990s
Title: Kicks
Members Wishing: 0
Total Copies: 0
Label: Rough Trade Us
Original Release Date: 1/1/2009
Re-Release Date: 3/24/2009
Genres: Alternative Rock, International Music, Pop, Rock
Styles: Indie & Lo-Fi, Europe, Britain & Ireland
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 883870049023, 0883870049061

Synopsis

Product Description
The follow-up to the acclaimed "Cookies" features more sassy, infectiously catchy songs about Glasgow and girls in the main. Inspired by "Scary Monsters" / "Golden Years" era Bowie and his work with Eno and Visconti, to Jay-Z through to Hall & Oates, the chops of Hot Chocolate, and even the folk licks of Richard Thompson.

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CD Reviews

Ok followup
Greg Kinne | midwest | 07/09/2009
(3 out of 5 stars)

"On their sophomore album `Kicks,' 1990s return to writing punky pop songs that are often times silly and sarcastic and carry this pseudo "Berlin" vibe. Those looking for any profound meaning in these songs are definitely in the wrong place. The album opens with the chiming "Vondelpark" with vocalist Jackie McKeown initially playing it straight with his best Clash sound-alike. "Tell Me When You're Ready" almost apes Big Audio Dynamite's "The Globe" and The Clash's " Should I Stay Or Should I Go" both in lyrics and chord progression.



"59" could be a Flight of the Conchords outtake. "Kicks" stays rooted in angular sounding pop through a large portion of the album, as 1990s aren't afraid to show their power poppy punk influences on the majority of tracks. On first listen, there were times I thought I was listening to a long lost Dada record especially on "Balthazar" and "Local Science." Depending on how you view early `90's pop music, that's either a good or bad thing. If 1990s released a single with "Dizz-knee Land" on it as a b-side, it wouldn't be out of place.



The last third of the album goes through some weird transitions and references. "The Box" is reminiscent of Iggy Pop's 70's output, while closers "The Kids" and "Sparks" would easily fit on a Joe Jackson album. This creates a slightly schizophrenic listening experience because it doesn't seem to logically progress to me. Maybe it flows in the 1990's world, and I guess that's all that matters."